Thursday, 21 September 2017

Kingsman: The Golden Circle (2017)


Much like its predecessor, Kingsman: The Golden Circle celebrates its own illogical, nonsensical, pop culture bursts and spy spoof vibes. This is how an assuring badly made and overplayed James Bond movie would look like. Kingsman: The Golden Circle knits its own little yarn to make it a clever, show stagey mockery.   

The drippy, laughing-at-itself spectacle entangled me to this one. The American addition 'Statesman' is a nice rowdy peg too. 


British-American Tango
The action sequences are a real bang-beat rhythm of a roller coaster, as are the straight-faced wit-spewing characters. Jeff Bridges, Halle Berry, Mark Strong, Channing Tatum, Taron Egerton, Julianne Moore, Colin Firth...The best ensemble cast assembled this year? By a long shot!  

Moore makes a bitchy baddie, but she can't top Samuel Jackson's subtle delicious villainry in Kingsman: The Secret Service (2014). Firth is ever-dependable, Bridges gets a nice cameo, Egerton holds his own. Strong, Berry and Tatum bring in adorable wackiness. 

Themes, Toys, Kicks
Going anti-drug is a nice, cute theme. The Donald Trump caricature is overemphasized and blunt. John Denver songs, cowboy twang, one-eyed return, fabulous landmine death scenes, surviving bullets shots in the head, whiskey, ginger ale, champagne and Elton John. Umbrellas, butterflies, retrograde amnesia and a menacing robotic future. Everything looks slick, bright, kicking, dodging and alive.   

Glaring plot holes roll as big and rumbling as bowling balls. But this is an action comedy spoof genre that loves not having a watertight story. 

Gross, Oh Yeah!
Somehow, director Matthew Vaughn makes us digest cannibalism, minced human meat, atrocious body slicing, a graphic sexual act for implanting a tracking device and still kept me atrociously entertained. He makes grossness and utter disgust an art here.      

Kingsman: The Golden Circle is as boisterously frivolous as it intends to be and I love this film series for that consistent, creative cheekiness.

Sunday, 10 September 2017

Shubh Mangal Saavdhan (2017)


Director R.S. Prasanna's remake of his own Tamil family comedy Kalyana Samayal Saadham (2013) is a terrific laugh out loud hoot. Shubh Mangal Saavdhan takes up erectile dysfunction to mine jokes, without ever going below the belt, a mean screenplay achievement.

A surprisingly restrained fun movie that while working within family movie dimensions, both tackles and deflects from talking taboo at the same time. An Alibaba and forty thieves analogy showcases this midway road to hilarious effect.   

This is not a lazy scene-to-scene remake. The director sets up his arranged marriage family fun around Gurgaon and invests in each character's ethos. Ayushmann Khurrana and Bhumi Pednekar's engaging chemistry tops this film over the Tamil version. The supporting cast gels in with great effect, especially Seema Pahwa as the girl's concerned mother.


Shubh Mangal Saavdhan is irresistibly unavoidably funny.  

Friday, 11 August 2017

A Wednesday (2008)


A Wednesday does a hypnotic audience grip in its final act. The point it makes is instantly powerful and debatable.

The first hour though is an irritating mix of cliches, jarring background music, and some unintentionally laughable dialogue. The pace slackens in bringing various characters to the mix. The screenplay needed a serious fast forward for breathless, memorable impact. 

Naseeruddin Shah's excellent portrayal of the main protagonist binds us. So does Anupam Kher's restrained act. Jimmy Shergill's angry cop needed meat and reason. 

Though A Wednesday doesn't build up craftily, it hits the ground running, making it flawed, but solid entertainment.