Much like Kerala, its unchanging culture and quiet, comfortable stillness, a timeless wrap surrounds Premam. Once upon a time in a sleepy Kerala village, year 2000, a 16 year-old boy falls for the school beauty. Only, almost every other teenage boy in the vicinity is crazy for the same girl. Love letters, songs, bright-shirted, sun-glassed flirtations, thrashings follow. In 2005, the now angry, rebellious, black shirt, lungi-clad bearded student goes soft on his alluring pimple-ridden college teacher.Cut to 2014, a subdued, rough high-end bakery owner is whisked away by love again.
How is it?
Love stories with a comic touch have rained down incessantly in the film world, yet writer/director/editor Alphonse Putharen's second film Premam stands out for fresh approach, endearing life-imitating characters and assured storytelling. Deft camerawork, great performances, dialogues, clever editing...Premam is a rare case of several aspects coming together to make memorable cinema.
Popular Malayalm film culture, Tamil hero-mould touches, innocent flirtations, all converge to form something achingly real and evocative. You don't have to be a Malayalam film regular to enjoy Premam. But if you are, you will connect more.
Cast and crew
The cast needs special mention, even those with one-line roles lend authenticity to their parts. Kudos to the lead players, Nivin Pauly and the three female leads, Anupama Parameswaran, Sai Pallavi and Madonna Sebastian. Also to be lauded, Anand C. Chandran's cinematography, Rajesh Murugesan's brilliant celebratory soundtrack to wacky Shabareesh Varma (also supporting cast) lyrics. As one of the film's songs go in translation - when we look back someday at the life lived, there should be something to laugh at.
Of wasted, love-slippery youth, yet life-affirming, joyous and breezy, it can be safely said that there will be no film like Premam for a long time.