Friday, 9 March 2018

Lamhe (1991)


Viren (Anil Kapoor), a young man visiting his ancestral home in Rajasthan, India falls for Pallavi (Sridevi), a gorgeous neighbor next door. Alas, the woman is in love with another man. Heartbroken, Viren organizes the couple's marriage and abruptly leaves for London. 

A few months later, the married couple dies in an accident leaving behind an infant daughter, Pooja. The daughter is raised by Viren's nanny in India. Years pass and Pooja grows up to be a cheerful, lively teenager (Sridevi again), a startling physical replica of her mother. Over the years, Pooja develops a fiery, undying love for the now middle-aged, elusive Viren. 



Lamhe is quite simply Yash Chopra's best film. It sensitively portrays the dynamics and layered complexities of love like few Hindi films do. 

Unconventional, timeless, against the norm, rebellious, deeply engaging and compelling, Lamhe is a remarkable work of cinema and justifies Yash Chopra's reputation as a fine, nuanced director. 

Sridevi towers and sparkles in her mother-daughter double turn. Lamhe is among the few great films that matches up to Sridevi's incredible talent. 

Anil Kapoor is at his best, chirpy and lovelorn as the young man, effectively toned down as an older businessman, Anupam Kher is a genius mad streak as Viren's friend Prem, while Waheeda Rehman adds dignity and poise as the ever-caring dai-ma

For those who love Hindi romantic dramas, skillful direction, great locales, with a dose of gorgeous film song picturizations and an incredible timeless story, Lamhe, but for some minor flaws, is fabulous viewing.    

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